Sony A7s MK3 Hire
Sony A7s MK3 Hire from just £100/Day.
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.
Large pixels deliver high sensitivity and low noise
The new full-frame 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor packs major innovations in light gathering, wiring and output optimisation. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF.
Up to 8x more powerful BIONZ XRTM image processor
Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.
Stunning AF performance even at 4K 120p
The new Exmor R full-frame image sensor and revolutionary BIONZ XR image processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular.
Our renowned sensitivity delivers expanded ISO 409600
The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80 – 102400). With advanced light-gathering and output optimisation, the 12.1-megapixel full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near total darkness.
S-CinetoneTM from high-end cinema camera colour science
The inclusion of Sony’s acclaimed S-Cinetonelook, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.
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